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3DEPICS
Literature & Art

The New Mu'allaqa

المعلقة الجديدة

Standing at the ruins like the poets of old, Imad asks how time can erase cities and still leave memory.

By Architect Imad DarouichUpdated 2 min read

Desert ruins at dawn beside a distant city of glass, the setting of this poem in the spirit of the Muallaqat

This poem in the spirit of the Muallaqat opens as the old odes did, with a call to stop at the ruins, though here the ruin is the heart itself. Imad, born between a desert that has known his name for thousands of years and a city of glass that reflects his face, rides the horse of the wind after a meaning that escaped from poems and leaves a new ode for later readers.

قِفوا قليلاً…Stop for a moment…

ليس لأن خيمةً سقطت في الرمل،not because a tent fell into the sand,

بل لأن القلب نفسهbut because the heart itself

صار أطلالاً تمشي.has become walking ruins.

مرَّ هنا شاعرٌ قديمA poet once passed here

وترك صوته معلقاً في الهواء،and left his voice hanging in the air,

ومنذ ذلك اليومand since that day

كلُّ ريحٍ تحمل بيتاً من الشعر.every wind carries a verse.

أنا لا أبكي الأطلال،I do not weep for ruins,

أنا أسألها:I ask them:

كيف يمكن للزمنhow can time

أن يمحو المدنerase cities

ويبقي الذكرى؟yet leave memory?

ولدتُ بين صحراءI was born between a desert

تعرف اسمي منذ آلاف السنين،that knows my name for thousands of years,

ومدينةٍ من زجاجand a city of glass

لا تعرف اسميthat does not know my name

لكنها تعكس وجهي كل يوم. yet reflects my face every day.

في الليلAt night

أسمع خطى العشاق القدامىI hear the footsteps of ancient lovers

تمرّ تحت نوافذ العالم،passing beneath the windows of the world,

كأن التاريخas if history

لم ينتهِ بعد.has not ended yet.

ركبتُ جواد الريحI mounted the horse of wind

لا لألحق بامرأة،not to chase a woman,

بل لألحق بمعنىbut to chase a meaning

هرب من القصائد.that escaped from poems.

رأيتُ امرأةI saw a woman

تشبه الفجرwho resembled dawn

حين يفتح عينيه فوق الصحراء،opening its eyes over the desert,

ففهمتُand I understood

لماذا يولد الشعر.why poetry is born.

يا ليلO night

كم مدينةًhow many cities

نامت على كتفكslept on your shoulder

وهي تظنthinking

أنها خالدة.they were eternal.

أيها العالمO world

إن القصيدةthe poem

ليست حجراًis not a stone

يُعلّق على جدار،hung on a wall,

بل نافذةbut a window

تنظر منها البشريةthrough which humanity looks

إلى قلبها.into its own heart.

فإن قرأتم هذه الكلماتSo if you read these words

بعد زمنٍ طويل،after a long time,

تذكّرواremember

أن شاعراًthat a poet

وقف بين الصحراء والمدينةstood between desert and city

وكتبand wrote

معلقةً جديدةa new Mu‘allaqa

كي يبقى الصوتso the voice

حياً. alive.

بقلم المهندس المعماري عماد درويشBy Architect Imad Darouich · New York

For more on the poets of the hanging odes, read The Future Odes: Poems Hung on the Walls of Hearts and The Epic of Labid ibn Rabi’a: Poet of Asceticism and Mortality, both in the literature and art collection.

Written by

Architect Imad Darouich

بقلم المهندس المعماري عماد درويش

Architect and author based in New York. He writes contemporary epics: long-form books about architects, buildings, cities and faith, in Arabic and English.

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